Archives - October 2009


I don’t care if Monday’s blue, Tuesday’s grey and Wednesday too

Although Robert Smith was probably being metaphorical when he sang, “I don’t care if Monday’s blue”, for some people Monday is quite literally blue.

It’s explained beautifully in this absolutely fascinating film from Boing Boing Video: a remix of “Synesthesia,” a documentary directed by Jonathan Fowler, about people whose senses blend, or mix. Synaesthetes experience this in different ways: for some letters or numbers are perceived as inherently colored; for some numbers, days of the week and months of the year evoke personalities; some perceive certain sounds as coloured, while others find different words or sounds taste of different flavours.

Synaesthesia was once thought of as a disease or disorder, but many synaesthetes consider this alternate form of perception as a distinct advantage. Liszt and Rimsky-Korsakov famously disagreed on the colours of music keys, whilst Kandinsky’s synaesthesia was central to his work – he observed that his work combined the four senses of colour, hearing, touch, and smell.

For many it’s simply what’s normal – my friend Naomi has grapheme–colour synaesthesia, and she observed that it was a big shock to realise that not everyone else saw letters and numbers the way she did. Writer Patricia Lynne Duffy vividly recalls:

“‘One day,’ I said to my father, ‘I realized that to make an ‘R’ all I had to do was first write a ‘P’ and then draw a line down from its loop. And I was so surprised that I could turn a yellow letter into an orange letter just by adding a line.’”

Save for the possible influence of psychedelic drugs, it’s something that non-synaesthetes like myself will never truly understand, which is probably why I find it so very fascinating.

In this film, Dr. David Eagleman of the Baylor College of Medicine explains the condition, and four synaesthetes explain how they perceive the world. Amazing stuff.

[ via Boing Boing - full length version available from the Research Channel ]

10 Best Things We’ll Say to Our Grandkids


[ image courtesy Nishant Choksi ]

Brilliant piece from this month’s Wired – 10 Best Things We’ll Say to Our Grandkids:

  1. Back in my day, we only needed 140 characters.
  2. There used to be so much snow up here, you could strap a board to your feet and slide all the way down.
  3. Televised contests gave cash prizes to whoever could store the most data in their head.
  4. Well, the screens were bigger, but they only showed the movies at certain times of day.
  5. We all had one, but nobody actually used it. Come to think of it, I bet my LinkedIn profile is still out there on the Web somewhere.
  6. *
  7. Our bodies were made of meat and supported by little sticks of calcium.
  8. You used to keep files right on your computer, and you had to go back to that same computer to access them!
  9. Is that the new iPhone 27G? Got multitasking yet?
  10. I just can’t get used to this darn vat-grown steak. Texture ain’t right.

* Translation: “English used to be the dominant language. Crazy, huh?”

Are we losing focus on what social’s all about?

Following the IPA Social event, the nice folks at the IPA asked if I’d write a short piece for their newsletter about ‘social’ to highlight some of the thinking that the awesome IPA Social crew have started to kick off with the 10 principles -the below post is shamelessly cross-posted from the IPA’s AdNews newsletter:

 

There’s a lot of buzz about social media. Agencies are proudly boasting about their credentials in social media. Clients are hiring heads of social media, and the trade press is full of the latest social media campaigns.

But I, along with the fine folks with whom I’ve been working on the IPA Social project, reckon it’s time to confront the elephant in the room.

There’s no such thing as social media.

It’s a meaningless term.

It suggests the media – the places – are social. It makes it all about the ‘where’.

It’s not the media that are social (‘where’) – it’s the ideas and the behaviour (‘how’).

Let’s not forget, after all, that social ideas – ideas that get people talking, which get shared and passed on – aren’t exactly new. And social behaviour – engaging in conversation, sharing thoughts, ideas, opinions, rants and raves, is definitely nothing new. It’s at the very heart of what it means to be part of society. The clue’s in the name.

In fact people have been having conversations about brands between themselves for years, unprompted and unheard by brand owners. Every interaction that people have with your brand leaves an impression. If it’s a good one, people might talk about it. If it’s a rubbish one, they’re far more likely to talk about it.

What’s changed is that people are empowered to be social in more diverse ways than ever before, more visibly than ever before. So that talk is much more easily shared, more openly, and can spread more rapidly.

If a brand is ultimately defined by what people say about it, and not what it says about itself, then these conversations play an absolutely fundamental role in brand-building.

We understand that branding isn’t just a marketing function – product, customer service and corporate reputation, amongst others, all have an equally important role in shaping brand perceptions. Conversations will take place about any aspect of a brand experience – so why do we insist on trying to hive off social as a silo and a specific marketing silo at that?

As soon as we think about social media, the tendency is to focus on the ‘media’ – and to start talking about it as another channel or line on a marketing plan, instead of the really important bits – the ideas and the behaviour.

And thinking about social as a marketing silo is problematic – because as soon as we frame it within the marketing context, we start to think about social in marketing terms – pushing out a message. Which is all well and good. There’s nothing wrong with thinking about how we can best harness the power of social to communicate a message. But thinking about this in isolation isn’t very helpful – just as it’s equally unhelpful to think about branding as being about pushing marketing messages out, without thinking about the many facets of brand behaviour.

We’re all in the business of creating and activating ideas that will get people talking and sharing, and to do this we have to consider every brand touchpoint – and how we can use these opportunities to connect people and brands in the most meaningful way. Thinking about social, understanding the conversations that take place, and how we can understand and influence them, is a vital part of this.

Every strategist and brand owner needs to understand social, and what role it should play in building their brand. A social strategy should be an integral part of a brand and comms strategy, and should sit across every discipline within an organisation – it can’t just be the responsibility of the social media manager. That’s not to say there isn’t a role for social specialists. Implementing a social strategy requires a robust understanding of how to behave in the social space, and experience in these craft skills counts for a lot. Specialist practitioners implement media planning and buying, advertising creation, packaging design, PR, POS, call centre operations, and pretty much every aspect of implementing a brand strategy you can think of. Social’s no different – specialist implementation is both valuable and necessary.

But we wouldn’t expect a TV planner or packaging designer to define the role and contribution for TV or packaging within an overall brand strategy. A brand strategy should sit across all silos, and as an integral part of brand behaviour, social strategy should be no exception.

So let’s stop getting hung up on social media (the ‘where’), and start thinking about social ideas and behaviours – and the more interesting and relevant questions about ‘what’, ‘why’ and ‘how’.

The IPA Social project is trying to help to define some of the guiding principles for social communication and behaviour, in an attempt to start a conversation around these questions. As a starting point, we’ve defined ten principles that we think are important in the social world, and we want people across the industry to join the debate. Our aim with this project is to move the debate beyond simply the theoretical, and into the practical: what roles can social play for different brands; how do you define success; examples of approaches that have worked (and those which haven’t).

We don’t have the answers – yet. But we believe passionately in the importance of truly understanding social as an integral part of branding. So please get involved, either via the IPA Social hub or by joining the Facebook group – we’d love to hear your point of view.

Getting Playful

The very lovely people at Playful asked me to speak at their one-day event all about games and play on Friday 30th October, at Conway Hall, London. Please don’t let the fact that I’m on the bill put you off, as there are lots of other cracking speakers lined up, and it’s shaping up to be a fabulous day of awesomeness. In their own words:

Playful is a one-day event all about games and play – in all their manifestations, throughout the contemporary media landscape. It’s a conference for architects, artists, designers, developers, geeks, gurus, gamers, tinkerers, thinkerers, bloggers, joggers, and philosophers. We look at what PLAY means both creatively and culturally, and put speakers on the stage who offer different perspectives on where we are currently, where we’ve been, and where we’re going.

I’m feeling like a bit of a fraud since I don’t know half as much about games and play as the terrific folks already lined up to speak. The brilliant Toby asked me if I’d do a longer version of my Interesting 2009 about robots for Playful – hence why I’ve not yet put up the Interesting slides. But whilst robots and all their awesomeness will undoubtedly feature, I’ll be talking more generally about why playful design is ace. Or something like that. Especially in encouraging behaviour change. And that sort of thing.

Ignoring my ramblings, it’s going to be a cracking day, so if play sounds like your kind of thing, please do think about getting a ticket!